committing changes in /etc after apt run
Package changes: +freepats 20060219-1 all +libadplug-2.2.1-0v5 2.2.1+dfsg3-0.4 armhf +libao-common 1.2.2+20180113-1 all +libao4 1.2.2+20180113-1 armhf +libaudiofile1 0.3.6-4 armhf +libavcodec58 7:4.0.2-1+b2 armhf +libavformat58 7:4.0.2-1+b2 armhf +libavutil56 7:4.0.2-1+b2 armhf +libbinio1v5 1.4+dfsg1-6 armhf +libcdio-cdda2 10.2+0.94+2-4 armhf +libcdio-paranoia2 10.2+0.94+2-4 armhf +libcdio18 2.0.0-2 armhf +libcodec2-0.8.1 0.8.1-1 armhf +libfaad2 2.8.8-1 armhf +libfluidsynth1 1.1.11-1 armhf +libid3tag0 0.15.1b-13 armhf +libiso9660-11 2.0.0-2 armhf +libjack-jackd2-0 1.9.12~dfsg-2 armhf +libjansson4 2.11-1 armhf +libldb1 2:1.4.0+really1.3.6-1 armhf +libmad0 0.15.1b-9 armhf +libmikmod3 3.3.11.1-4 armhf +libmms0 0.6.4-3 armhf +libmodplug1 1:0.8.9.0-2 armhf +libmpcdec6 2:0.1~r495-1+b1 armhf +libmpdclient2 2.13-1 armhf +libnfs11 2.0.0-1~exp1 armhf +libopenal-data 1:1.18.2-3 all +libopenal1 1:1.18.2-3+b1 armhf +libroar2 1.0~beta11-10 armhf +libsdl2-2.0-0 2.0.8+dfsg1-1+b1 armhf +libshout3 2.4.1-2 armhf +libsidplayfp4 1.8.8-1 armhf +libsmbclient 2:4.8.5+dfsg-1 armhf +libsndio7.0 1.5.0-2 armhf +libspeexdsp1 1.2~rc1.2-1 armhf -libssh-gcrypt-4 0.8.0~20170825.94fa1e38-1 armhf +libssh-gcrypt-4 0.8.1-1 armhf +libswresample3 7:4.0.2-1+b2 armhf +libtdb1 1.3.15-4 armhf +libtevent0 0.9.36-2 armhf +libupnp6 1:1.6.24-4 armhf -libwbclient0 2:4.8.2+dfsg-2 armhf +libwayland-client0 1.15.0-2 armhf +libwayland-cursor0 1.15.0-2 armhf +libwayland-egl1 1.15.0-2 armhf +libwbclient0 2:4.8.5+dfsg-1 armhf +libwildmidi-config 0.4.2-1 all +libwildmidi2 0.4.2-1 armhf +libxkbcommon0 0.8.2-1 armhf +libyajl2 2.1.0-2 armhf +libzzip-0-13 0.13.62-3.1 armhf +mpc 0.30-1 armhf +mpd 0.20.21-1 armhf +python-talloc 2.1.14-1 armhf +samba-libs 2:4.8.5+dfsg-1 armhf
parent
95213f29ec
commit
c41e459998
@ -0,0 +1,9 @@
|
|||||||
|
## Defaults for the MPD init script, sourced by /etc/init.d/mpd on Debian
|
||||||
|
## systems. Uncomment (remove the leading '#') and change values as needed.
|
||||||
|
|
||||||
|
## If you don't want MPD to be started as a system service (for example, if
|
||||||
|
## you want to run it from a regular user account), disable it using the
|
||||||
|
## command 'update-rc.d mpd disable' (or 'systemctl disable mpd' for systemd).
|
||||||
|
|
||||||
|
## The configuration file location for mpd:
|
||||||
|
# MPDCONF=/etc/mpd.conf
|
||||||
@ -0,0 +1,108 @@
|
|||||||
|
#!/bin/sh
|
||||||
|
|
||||||
|
### BEGIN INIT INFO
|
||||||
|
# Provides: mpd
|
||||||
|
# Required-Start: $local_fs $remote_fs
|
||||||
|
# Required-Stop: $local_fs $remote_fs
|
||||||
|
# Should-Start: autofs $network $named alsa-utils pulseaudio avahi-daemon
|
||||||
|
# Should-Stop: autofs $network $named alsa-utils pulseaudio avahi-daemon
|
||||||
|
# Default-Start: 2 3 4 5
|
||||||
|
# Default-Stop: 0 1 6
|
||||||
|
# Short-Description: Music Player Daemon
|
||||||
|
# Description: Start the Music Player Daemon (MPD) service
|
||||||
|
# for network access to the local audio queue.
|
||||||
|
### END INIT INFO
|
||||||
|
|
||||||
|
. /lib/lsb/init-functions
|
||||||
|
|
||||||
|
PATH=/sbin:/bin:/usr/sbin:/usr/bin
|
||||||
|
NAME=mpd
|
||||||
|
DESC="Music Player Daemon"
|
||||||
|
DAEMON=/usr/bin/mpd
|
||||||
|
MPDCONF=/etc/mpd.conf
|
||||||
|
|
||||||
|
# Exit if the package is not installed
|
||||||
|
[ -x "$DAEMON" ] || exit 0
|
||||||
|
|
||||||
|
# Read configuration variable file if it is present
|
||||||
|
[ -r /etc/default/$NAME ] && . /etc/default/$NAME
|
||||||
|
|
||||||
|
if [ -n "$MPD_DEBUG" ]; then
|
||||||
|
set -x
|
||||||
|
MPD_OPTS=--verbose
|
||||||
|
fi
|
||||||
|
|
||||||
|
PIDFILE=$(sed -n 's/^[[:space:]]*pid_file[[:space:]]*"\?\([^"]*\)\"\?/\1/p' $MPDCONF)
|
||||||
|
|
||||||
|
mpd_start () {
|
||||||
|
log_daemon_msg "Starting $DESC" "$NAME"
|
||||||
|
|
||||||
|
if [ -z "$PIDFILE" ]; then
|
||||||
|
log_failure_msg \
|
||||||
|
"$MPDCONF must have pid_file set; cannot start daemon."
|
||||||
|
exit 1
|
||||||
|
fi
|
||||||
|
|
||||||
|
PIDDIR=$(dirname "$PIDFILE")
|
||||||
|
if [ ! -d "$PIDDIR" ]; then
|
||||||
|
mkdir -m 0755 $PIDDIR
|
||||||
|
if dpkg-statoverride --list --quiet /run/mpd > /dev/null; then
|
||||||
|
# if dpkg-statoverride is used update it with permissions there
|
||||||
|
dpkg-statoverride --force --quiet --update --add $( dpkg-statoverride --list --quiet /run/mpd ) 2> /dev/null
|
||||||
|
else
|
||||||
|
# use defaults
|
||||||
|
chown mpd:audio $PIDDIR
|
||||||
|
fi
|
||||||
|
fi
|
||||||
|
|
||||||
|
start-stop-daemon --start --quiet --oknodo --pidfile "$PIDFILE" \
|
||||||
|
--exec "$DAEMON" -- $MPD_OPTS "$MPDCONF"
|
||||||
|
log_end_msg $?
|
||||||
|
}
|
||||||
|
|
||||||
|
mpd_stop () {
|
||||||
|
if [ -z "$PIDFILE" ]; then
|
||||||
|
log_failure_msg \
|
||||||
|
"$MPDCONF must have pid_file set; cannot stop daemon."
|
||||||
|
exit 1
|
||||||
|
fi
|
||||||
|
|
||||||
|
log_daemon_msg "Stopping $DESC" "$NAME"
|
||||||
|
start-stop-daemon --stop --quiet --oknodo --retry 5 --pidfile "$PIDFILE" \
|
||||||
|
--exec $DAEMON
|
||||||
|
log_end_msg $?
|
||||||
|
}
|
||||||
|
|
||||||
|
# note to self: don't call the non-standard args for this in
|
||||||
|
# {post,pre}{inst,rm} scripts since users are not forced to upgrade
|
||||||
|
# /etc/init.d/mpd when mpd is updated
|
||||||
|
case "$1" in
|
||||||
|
start)
|
||||||
|
mpd_start
|
||||||
|
;;
|
||||||
|
stop)
|
||||||
|
mpd_stop
|
||||||
|
;;
|
||||||
|
status)
|
||||||
|
status_of_proc -p $PIDFILE $DAEMON $NAME
|
||||||
|
;;
|
||||||
|
restart|force-reload)
|
||||||
|
mpd_stop
|
||||||
|
mpd_start
|
||||||
|
;;
|
||||||
|
force-start)
|
||||||
|
mpd_start
|
||||||
|
;;
|
||||||
|
force-restart)
|
||||||
|
mpd_stop
|
||||||
|
mpd_start
|
||||||
|
;;
|
||||||
|
force-reload)
|
||||||
|
mpd_stop
|
||||||
|
mpd_start
|
||||||
|
;;
|
||||||
|
*)
|
||||||
|
echo "Usage: $0 {start|stop|restart|force-reload}"
|
||||||
|
exit 2
|
||||||
|
;;
|
||||||
|
esac
|
||||||
@ -0,0 +1,2 @@
|
|||||||
|
default_driver=alsa
|
||||||
|
quiet
|
||||||
@ -0,0 +1,10 @@
|
|||||||
|
/var/log/mpd/*.log {
|
||||||
|
weekly
|
||||||
|
missingok
|
||||||
|
rotate 7
|
||||||
|
compress
|
||||||
|
notifempty
|
||||||
|
copytruncate
|
||||||
|
create 600
|
||||||
|
}
|
||||||
|
|
||||||
@ -0,0 +1,390 @@
|
|||||||
|
# An example configuration file for MPD.
|
||||||
|
# Read the user manual for documentation: http://www.musicpd.org/doc/user/
|
||||||
|
# or /usr/share/doc/mpd/user-manual.html
|
||||||
|
|
||||||
|
|
||||||
|
# Files and directories #######################################################
|
||||||
|
#
|
||||||
|
# This setting controls the top directory which MPD will search to discover the
|
||||||
|
# available audio files and add them to the daemon's online database. This
|
||||||
|
# setting defaults to the XDG directory, otherwise the music directory will be
|
||||||
|
# be disabled and audio files will only be accepted over ipc socket (using
|
||||||
|
# file:// protocol) or streaming files over an accepted protocol.
|
||||||
|
#
|
||||||
|
music_directory "/var/lib/mpd/music"
|
||||||
|
#
|
||||||
|
# This setting sets the MPD internal playlist directory. The purpose of this
|
||||||
|
# directory is storage for playlists created by MPD. The server will use
|
||||||
|
# playlist files not created by the server but only if they are in the MPD
|
||||||
|
# format. This setting defaults to playlist saving being disabled.
|
||||||
|
#
|
||||||
|
playlist_directory "/var/lib/mpd/playlists"
|
||||||
|
#
|
||||||
|
# This setting sets the location of the MPD database. This file is used to
|
||||||
|
# load the database at server start up and store the database while the
|
||||||
|
# server is not up. This setting defaults to disabled which will allow
|
||||||
|
# MPD to accept files over ipc socket (using file:// protocol) or streaming
|
||||||
|
# files over an accepted protocol.
|
||||||
|
#
|
||||||
|
db_file "/var/lib/mpd/tag_cache"
|
||||||
|
#
|
||||||
|
# These settings are the locations for the daemon log files for the daemon.
|
||||||
|
# These logs are great for troubleshooting, depending on your log_level
|
||||||
|
# settings.
|
||||||
|
#
|
||||||
|
# The special value "syslog" makes MPD use the local syslog daemon. This
|
||||||
|
# setting defaults to logging to syslog, otherwise logging is disabled.
|
||||||
|
#
|
||||||
|
log_file "/var/log/mpd/mpd.log"
|
||||||
|
#
|
||||||
|
# This setting sets the location of the file which stores the process ID
|
||||||
|
# for use of mpd --kill and some init scripts. This setting is disabled by
|
||||||
|
# default and the pid file will not be stored.
|
||||||
|
#
|
||||||
|
pid_file "/run/mpd/pid"
|
||||||
|
#
|
||||||
|
# This setting sets the location of the file which contains information about
|
||||||
|
# most variables to get MPD back into the same general shape it was in before
|
||||||
|
# it was brought down. This setting is disabled by default and the server
|
||||||
|
# state will be reset on server start up.
|
||||||
|
#
|
||||||
|
state_file "/var/lib/mpd/state"
|
||||||
|
#
|
||||||
|
# The location of the sticker database. This is a database which
|
||||||
|
# manages dynamic information attached to songs.
|
||||||
|
#
|
||||||
|
sticker_file "/var/lib/mpd/sticker.sql"
|
||||||
|
#
|
||||||
|
###############################################################################
|
||||||
|
|
||||||
|
|
||||||
|
# General music daemon options ################################################
|
||||||
|
#
|
||||||
|
# This setting specifies the user that MPD will run as. MPD should never run as
|
||||||
|
# root and you may use this setting to make MPD change its user ID after
|
||||||
|
# initialization. This setting is disabled by default and MPD is run as the
|
||||||
|
# current user.
|
||||||
|
#
|
||||||
|
user "mpd"
|
||||||
|
#
|
||||||
|
# This setting specifies the group that MPD will run as. If not specified
|
||||||
|
# primary group of user specified with "user" setting will be used (if set).
|
||||||
|
# This is useful if MPD needs to be a member of group such as "audio" to
|
||||||
|
# have permission to use sound card.
|
||||||
|
#
|
||||||
|
#group "nogroup"
|
||||||
|
#
|
||||||
|
# This setting sets the address for the daemon to listen on. Careful attention
|
||||||
|
# should be paid if this is assigned to anything other then the default, any.
|
||||||
|
# This setting can deny access to control of the daemon. Choose any if you want
|
||||||
|
# to have mpd listen on every address. Not effective if systemd socket
|
||||||
|
# activation is in use.
|
||||||
|
#
|
||||||
|
# For network
|
||||||
|
bind_to_address "localhost"
|
||||||
|
#
|
||||||
|
# And for Unix Socket
|
||||||
|
#bind_to_address "/run/mpd/socket"
|
||||||
|
#
|
||||||
|
# This setting is the TCP port that is desired for the daemon to get assigned
|
||||||
|
# to.
|
||||||
|
#
|
||||||
|
#port "6600"
|
||||||
|
#
|
||||||
|
# This setting controls the type of information which is logged. Available
|
||||||
|
# setting arguments are "default", "secure" or "verbose". The "verbose" setting
|
||||||
|
# argument is recommended for troubleshooting, though can quickly stretch
|
||||||
|
# available resources on limited hardware storage.
|
||||||
|
#
|
||||||
|
#log_level "default"
|
||||||
|
#
|
||||||
|
# If you have a problem with your MP3s ending abruptly it is recommended that
|
||||||
|
# you set this argument to "no" to attempt to fix the problem. If this solves
|
||||||
|
# the problem, it is highly recommended to fix the MP3 files with vbrfix
|
||||||
|
# (available as vbrfix in the debian archive), at which
|
||||||
|
# point gapless MP3 playback can be enabled.
|
||||||
|
#
|
||||||
|
#gapless_mp3_playback "yes"
|
||||||
|
#
|
||||||
|
# Setting "restore_paused" to "yes" puts MPD into pause mode instead
|
||||||
|
# of starting playback after startup.
|
||||||
|
#
|
||||||
|
#restore_paused "no"
|
||||||
|
#
|
||||||
|
# This setting enables MPD to create playlists in a format usable by other
|
||||||
|
# music players.
|
||||||
|
#
|
||||||
|
#save_absolute_paths_in_playlists "no"
|
||||||
|
#
|
||||||
|
# This setting defines a list of tag types that will be extracted during the
|
||||||
|
# audio file discovery process. The complete list of possible values can be
|
||||||
|
# found in the mpd.conf man page.
|
||||||
|
#metadata_to_use "artist,album,title,track,name,genre,date,composer,performer,disc"
|
||||||
|
#
|
||||||
|
# This setting enables automatic update of MPD's database when files in
|
||||||
|
# music_directory are changed.
|
||||||
|
#
|
||||||
|
#auto_update "yes"
|
||||||
|
#
|
||||||
|
# Limit the depth of the directories being watched, 0 means only watch
|
||||||
|
# the music directory itself. There is no limit by default.
|
||||||
|
#
|
||||||
|
#auto_update_depth "3"
|
||||||
|
#
|
||||||
|
###############################################################################
|
||||||
|
|
||||||
|
|
||||||
|
# Symbolic link behavior ######################################################
|
||||||
|
#
|
||||||
|
# If this setting is set to "yes", MPD will discover audio files by following
|
||||||
|
# symbolic links outside of the configured music_directory.
|
||||||
|
#
|
||||||
|
#follow_outside_symlinks "yes"
|
||||||
|
#
|
||||||
|
# If this setting is set to "yes", MPD will discover audio files by following
|
||||||
|
# symbolic links inside of the configured music_directory.
|
||||||
|
#
|
||||||
|
#follow_inside_symlinks "yes"
|
||||||
|
#
|
||||||
|
###############################################################################
|
||||||
|
|
||||||
|
|
||||||
|
# Zeroconf / Avahi Service Discovery ##########################################
|
||||||
|
#
|
||||||
|
# If this setting is set to "yes", service information will be published with
|
||||||
|
# Zeroconf / Avahi.
|
||||||
|
#
|
||||||
|
#zeroconf_enabled "yes"
|
||||||
|
#
|
||||||
|
# The argument to this setting will be the Zeroconf / Avahi unique name for
|
||||||
|
# this MPD server on the network.
|
||||||
|
#
|
||||||
|
#zeroconf_name "Music Player"
|
||||||
|
#
|
||||||
|
###############################################################################
|
||||||
|
|
||||||
|
|
||||||
|
# Permissions #################################################################
|
||||||
|
#
|
||||||
|
# If this setting is set, MPD will require password authorization. The password
|
||||||
|
# can setting can be specified multiple times for different password profiles.
|
||||||
|
#
|
||||||
|
#password "password@read,add,control,admin"
|
||||||
|
#
|
||||||
|
# This setting specifies the permissions a user has who has not yet logged in.
|
||||||
|
#
|
||||||
|
#default_permissions "read,add,control,admin"
|
||||||
|
#
|
||||||
|
###############################################################################
|
||||||
|
|
||||||
|
|
||||||
|
# Database #######################################################################
|
||||||
|
#
|
||||||
|
|
||||||
|
#database {
|
||||||
|
# plugin "proxy"
|
||||||
|
# host "other.mpd.host"
|
||||||
|
# port "6600"
|
||||||
|
#}
|
||||||
|
|
||||||
|
# Input #######################################################################
|
||||||
|
#
|
||||||
|
|
||||||
|
input {
|
||||||
|
plugin "curl"
|
||||||
|
# proxy "proxy.isp.com:8080"
|
||||||
|
# proxy_user "user"
|
||||||
|
# proxy_password "password"
|
||||||
|
}
|
||||||
|
|
||||||
|
#
|
||||||
|
###############################################################################
|
||||||
|
|
||||||
|
# Audio Output ################################################################
|
||||||
|
#
|
||||||
|
# MPD supports various audio output types, as well as playing through multiple
|
||||||
|
# audio outputs at the same time, through multiple audio_output settings
|
||||||
|
# blocks. Setting this block is optional, though the server will only attempt
|
||||||
|
# autodetection for one sound card.
|
||||||
|
#
|
||||||
|
# An example of an ALSA output:
|
||||||
|
#
|
||||||
|
audio_output {
|
||||||
|
type "alsa"
|
||||||
|
name "My ALSA Device"
|
||||||
|
# device "hw:0,0" # optional
|
||||||
|
# mixer_type "hardware" # optional
|
||||||
|
# mixer_device "default" # optional
|
||||||
|
# mixer_control "PCM" # optional
|
||||||
|
# mixer_index "0" # optional
|
||||||
|
}
|
||||||
|
#
|
||||||
|
# An example of an OSS output:
|
||||||
|
#
|
||||||
|
#audio_output {
|
||||||
|
# type "oss"
|
||||||
|
# name "My OSS Device"
|
||||||
|
# device "/dev/dsp" # optional
|
||||||
|
# mixer_type "hardware" # optional
|
||||||
|
# mixer_device "/dev/mixer" # optional
|
||||||
|
# mixer_control "PCM" # optional
|
||||||
|
#}
|
||||||
|
#
|
||||||
|
# An example of a shout output (for streaming to Icecast):
|
||||||
|
#
|
||||||
|
#audio_output {
|
||||||
|
# type "shout"
|
||||||
|
# encoder "vorbis" # optional
|
||||||
|
# name "My Shout Stream"
|
||||||
|
# host "localhost"
|
||||||
|
# port "8000"
|
||||||
|
# mount "/mpd.ogg"
|
||||||
|
# password "hackme"
|
||||||
|
# quality "5.0"
|
||||||
|
# bitrate "128"
|
||||||
|
# format "44100:16:1"
|
||||||
|
# protocol "icecast2" # optional
|
||||||
|
# user "source" # optional
|
||||||
|
# description "My Stream Description" # optional
|
||||||
|
# url "http://example.com" # optional
|
||||||
|
# genre "jazz" # optional
|
||||||
|
# public "no" # optional
|
||||||
|
# timeout "2" # optional
|
||||||
|
# mixer_type "software" # optional
|
||||||
|
#}
|
||||||
|
#
|
||||||
|
# An example of a recorder output:
|
||||||
|
#
|
||||||
|
#audio_output {
|
||||||
|
# type "recorder"
|
||||||
|
# name "My recorder"
|
||||||
|
# encoder "vorbis" # optional, vorbis or lame
|
||||||
|
# path "/var/lib/mpd/recorder/mpd.ogg"
|
||||||
|
## quality "5.0" # do not define if bitrate is defined
|
||||||
|
# bitrate "128" # do not define if quality is defined
|
||||||
|
# format "44100:16:1"
|
||||||
|
#}
|
||||||
|
#
|
||||||
|
# An example of a httpd output (built-in HTTP streaming server):
|
||||||
|
#
|
||||||
|
#audio_output {
|
||||||
|
# type "httpd"
|
||||||
|
# name "My HTTP Stream"
|
||||||
|
# encoder "vorbis" # optional, vorbis or lame
|
||||||
|
# port "8000"
|
||||||
|
# bind_to_address "0.0.0.0" # optional, IPv4 or IPv6
|
||||||
|
# quality "5.0" # do not define if bitrate is defined
|
||||||
|
# bitrate "128" # do not define if quality is defined
|
||||||
|
# format "44100:16:1"
|
||||||
|
# max_clients "0" # optional 0=no limit
|
||||||
|
#}
|
||||||
|
#
|
||||||
|
# An example of a pulseaudio output (streaming to a remote pulseaudio server)
|
||||||
|
# Please see README.Debian if you want mpd to play through the pulseaudio
|
||||||
|
# daemon started as part of your graphical desktop session!
|
||||||
|
#
|
||||||
|
#audio_output {
|
||||||
|
# type "pulse"
|
||||||
|
# name "My Pulse Output"
|
||||||
|
# server "remote_server" # optional
|
||||||
|
# sink "remote_server_sink" # optional
|
||||||
|
#}
|
||||||
|
#
|
||||||
|
# An example of a winmm output (Windows multimedia API).
|
||||||
|
#
|
||||||
|
#audio_output {
|
||||||
|
# type "winmm"
|
||||||
|
# name "My WinMM output"
|
||||||
|
# device "Digital Audio (S/PDIF) (High Definition Audio Device)" # optional
|
||||||
|
# or
|
||||||
|
# device "0" # optional
|
||||||
|
# mixer_type "hardware" # optional
|
||||||
|
#}
|
||||||
|
#
|
||||||
|
# An example of an openal output.
|
||||||
|
#
|
||||||
|
#audio_output {
|
||||||
|
# type "openal"
|
||||||
|
# name "My OpenAL output"
|
||||||
|
# device "Digital Audio (S/PDIF) (High Definition Audio Device)" # optional
|
||||||
|
#}
|
||||||
|
#
|
||||||
|
# An example of an sndio output.
|
||||||
|
#
|
||||||
|
#audio_output {
|
||||||
|
# type "sndio"
|
||||||
|
# name "sndio output"
|
||||||
|
# mixer_type "software"
|
||||||
|
#}
|
||||||
|
#
|
||||||
|
## Example "pipe" output:
|
||||||
|
#
|
||||||
|
#audio_output {
|
||||||
|
# type "pipe"
|
||||||
|
# name "my pipe"
|
||||||
|
# command "aplay -f cd 2>/dev/null"
|
||||||
|
## Or if you're want to use AudioCompress
|
||||||
|
# command "AudioCompress -m | aplay -f cd 2>/dev/null"
|
||||||
|
## Or to send raw PCM stream through PCM:
|
||||||
|
# command "nc example.org 8765"
|
||||||
|
# format "44100:16:2"
|
||||||
|
#}
|
||||||
|
#
|
||||||
|
## An example of a null output (for no audio output):
|
||||||
|
#
|
||||||
|
#audio_output {
|
||||||
|
# type "null"
|
||||||
|
# name "My Null Output"
|
||||||
|
# mixer_type "none" # optional
|
||||||
|
#}
|
||||||
|
#
|
||||||
|
###############################################################################
|
||||||
|
|
||||||
|
|
||||||
|
# Normalization automatic volume adjustments ##################################
|
||||||
|
#
|
||||||
|
# This setting specifies the type of ReplayGain to use. This setting can have
|
||||||
|
# the argument "off", "album", "track" or "auto". "auto" is a special mode that
|
||||||
|
# chooses between "track" and "album" depending on the current state of
|
||||||
|
# random playback. If random playback is enabled then "track" mode is used.
|
||||||
|
# See <http://www.replaygain.org> for more details about ReplayGain.
|
||||||
|
# This setting is off by default.
|
||||||
|
#
|
||||||
|
#replaygain "album"
|
||||||
|
#
|
||||||
|
# This setting sets the pre-amp used for files that have ReplayGain tags. By
|
||||||
|
# default this setting is disabled.
|
||||||
|
#
|
||||||
|
#replaygain_preamp "0"
|
||||||
|
#
|
||||||
|
# This setting sets the pre-amp used for files that do NOT have ReplayGain tags.
|
||||||
|
# By default this setting is disabled.
|
||||||
|
#
|
||||||
|
#replaygain_missing_preamp "0"
|
||||||
|
#
|
||||||
|
# This setting enables or disables ReplayGain limiting.
|
||||||
|
# MPD calculates actual amplification based on the ReplayGain tags
|
||||||
|
# and replaygain_preamp / replaygain_missing_preamp setting.
|
||||||
|
# If replaygain_limit is enabled MPD will never amplify audio signal
|
||||||
|
# above its original level. If replaygain_limit is disabled such amplification
|
||||||
|
# might occur. By default this setting is enabled.
|
||||||
|
#
|
||||||
|
#replaygain_limit "yes"
|
||||||
|
#
|
||||||
|
# This setting enables on-the-fly normalization volume adjustment. This will
|
||||||
|
# result in the volume of all playing audio to be adjusted so the output has
|
||||||
|
# equal "loudness". This setting is disabled by default.
|
||||||
|
#
|
||||||
|
#volume_normalization "no"
|
||||||
|
#
|
||||||
|
###############################################################################
|
||||||
|
|
||||||
|
|
||||||
|
# Character Encoding ##########################################################
|
||||||
|
#
|
||||||
|
# If file or directory names do not display correctly for your locale then you
|
||||||
|
# may need to modify this setting.
|
||||||
|
#
|
||||||
|
filesystem_charset "UTF-8"
|
||||||
|
#
|
||||||
|
###############################################################################
|
||||||
@ -0,0 +1,487 @@
|
|||||||
|
# OpenAL config file.
|
||||||
|
#
|
||||||
|
# Option blocks may appear multiple times, and duplicated options will take the
|
||||||
|
# last value specified. Environment variables may be specified within option
|
||||||
|
# values, and are automatically substituted when the config file is loaded.
|
||||||
|
# Environment variable names may only contain alpha-numeric characters (a-z,
|
||||||
|
# A-Z, 0-9) and underscores (_), and are prefixed with $. For example,
|
||||||
|
# specifying "$HOME/file.ext" would typically result in something like
|
||||||
|
# "/home/user/file.ext". To specify an actual "$" character, use "$$".
|
||||||
|
#
|
||||||
|
# Device-specific values may be specified by including the device name in the
|
||||||
|
# block name, with "general" replaced by the device name. That is, general
|
||||||
|
# options for the device "Name of Device" would be in the [Name of Device]
|
||||||
|
# block, while ALSA options would be in the [alsa/Name of Device] block.
|
||||||
|
# Options marked as "(global)" are not influenced by the device.
|
||||||
|
#
|
||||||
|
# The system-wide settings can be put in /etc/openal/alsoft.conf and user-
|
||||||
|
# specific override settings in $HOME/.alsoftrc.
|
||||||
|
# For Windows, these settings should go into $AppData\alsoft.ini
|
||||||
|
#
|
||||||
|
# Option and block names are case-senstive. The supplied values are only hints
|
||||||
|
# and may not be honored (though generally it'll try to get as close as
|
||||||
|
# possible). Note: options that are left unset may default to app- or system-
|
||||||
|
# specified values. These are the current available settings:
|
||||||
|
|
||||||
|
##
|
||||||
|
## General stuff
|
||||||
|
##
|
||||||
|
[general]
|
||||||
|
|
||||||
|
## disable-cpu-exts: (global)
|
||||||
|
# Disables use of specialized methods that use specific CPU intrinsics.
|
||||||
|
# Certain methods may utilize CPU extensions for improved performance, and
|
||||||
|
# this option is useful for preventing some or all of those methods from being
|
||||||
|
# used. The available extensions are: sse, sse2, sse3, sse4.1, and neon.
|
||||||
|
# Specifying 'all' disables use of all such specialized methods.
|
||||||
|
#disable-cpu-exts =
|
||||||
|
|
||||||
|
## drivers: (global)
|
||||||
|
# Sets the backend driver list order, comma-seperated. Unknown backends and
|
||||||
|
# duplicated names are ignored. Unlisted backends won't be considered for use
|
||||||
|
# unless the list is ended with a comma (e.g. 'oss,' will try OSS first before
|
||||||
|
# other backends, while 'oss' will try OSS only). Backends prepended with -
|
||||||
|
# won't be considered for use (e.g. '-oss,' will try all available backends
|
||||||
|
# except OSS). An empty list means to try all backends.
|
||||||
|
#drivers =
|
||||||
|
|
||||||
|
## channels:
|
||||||
|
# Sets the output channel configuration. If left unspecified, one will try to
|
||||||
|
# be detected from the system, and defaulting to stereo. The available values
|
||||||
|
# are: mono, stereo, quad, surround51, surround51rear, surround61, surround71,
|
||||||
|
# ambi1, ambi2, ambi3. Note that the ambi* configurations provide ambisonic
|
||||||
|
# channels of the given order (using ACN ordering and SN3D normalization by
|
||||||
|
# default), which need to be decoded to play correctly on speakers.
|
||||||
|
#channels =
|
||||||
|
|
||||||
|
## sample-type:
|
||||||
|
# Sets the output sample type. Currently, all mixing is done with 32-bit float
|
||||||
|
# and converted to the output sample type as needed. Available values are:
|
||||||
|
# int8 - signed 8-bit int
|
||||||
|
# uint8 - unsigned 8-bit int
|
||||||
|
# int16 - signed 16-bit int
|
||||||
|
# uint16 - unsigned 16-bit int
|
||||||
|
# int32 - signed 32-bit int
|
||||||
|
# uint32 - unsigned 32-bit int
|
||||||
|
# float32 - 32-bit float
|
||||||
|
#sample-type = float32
|
||||||
|
|
||||||
|
## frequency:
|
||||||
|
# Sets the output frequency. If left unspecified it will try to detect a
|
||||||
|
# default from the system, otherwise it will default to 44100.
|
||||||
|
#frequency =
|
||||||
|
|
||||||
|
## period_size:
|
||||||
|
# Sets the update period size, in frames. This is the number of frames needed
|
||||||
|
# for each mixing update. Acceptable values range between 64 and 8192.
|
||||||
|
#period_size = 1024
|
||||||
|
|
||||||
|
## periods:
|
||||||
|
# Sets the number of update periods. Higher values create a larger mix ahead,
|
||||||
|
# which helps protect against skips when the CPU is under load, but increases
|
||||||
|
# the delay between a sound getting mixed and being heard. Acceptable values
|
||||||
|
# range between 2 and 16.
|
||||||
|
#periods = 3
|
||||||
|
|
||||||
|
## stereo-mode:
|
||||||
|
# Specifies if stereo output is treated as being headphones or speakers. With
|
||||||
|
# headphones, HRTF or crossfeed filters may be used for better audio quality.
|
||||||
|
# Valid settings are auto, speakers, and headphones.
|
||||||
|
#stereo-mode = auto
|
||||||
|
|
||||||
|
## stereo-encoding:
|
||||||
|
# Specifies the encoding method for non-HRTF stereo output. 'panpot' (default)
|
||||||
|
# uses standard amplitude panning (aka pair-wise, stereo pair, etc) between
|
||||||
|
# -30 and +30 degrees, while 'uhj' creates stereo-compatible two-channel UHJ
|
||||||
|
# output, which encodes some surround sound information into stereo output
|
||||||
|
# that can be decoded with a surround sound receiver. If crossfeed filters are
|
||||||
|
# used, UHJ is disabled.
|
||||||
|
#stereo-encoding = panpot
|
||||||
|
|
||||||
|
## ambi-format:
|
||||||
|
# Specifies the channel order and normalization for the "ambi*" set of channel
|
||||||
|
# configurations. Valid settings are: fuma, acn+sn3d, acn+n3d
|
||||||
|
#ambi-format = acn+sn3d
|
||||||
|
|
||||||
|
## hrtf:
|
||||||
|
# Controls HRTF processing. These filters provide better spatialization of
|
||||||
|
# sounds while using headphones, but do require a bit more CPU power. The
|
||||||
|
# default filters will only work with 44100hz or 48000hz stereo output. While
|
||||||
|
# HRTF is used, the cf_level option is ignored. Setting this to auto (default)
|
||||||
|
# will allow HRTF to be used when headphones are detected or the app requests
|
||||||
|
# it, while setting true or false will forcefully enable or disable HRTF
|
||||||
|
# respectively.
|
||||||
|
#hrtf = auto
|
||||||
|
|
||||||
|
## default-hrtf:
|
||||||
|
# Specifies the default HRTF to use. When multiple HRTFs are available, this
|
||||||
|
# determines the preferred one to use if none are specifically requested. Note
|
||||||
|
# that this is the enumerated HRTF name, not necessarily the filename.
|
||||||
|
#default-hrtf =
|
||||||
|
|
||||||
|
## hrtf-paths:
|
||||||
|
# Specifies a comma-separated list of paths containing HRTF data sets. The
|
||||||
|
# format of the files are described in docs/hrtf.txt. The files within the
|
||||||
|
# directories must have the .mhr file extension to be recognized. By default,
|
||||||
|
# OS-dependent data paths will be used. They will also be used if the list
|
||||||
|
# ends with a comma. On Windows this is:
|
||||||
|
# $AppData\openal\hrtf
|
||||||
|
# And on other systems, it's (in order):
|
||||||
|
# $XDG_DATA_HOME/openal/hrtf (defaults to $HOME/.local/share/openal/hrtf)
|
||||||
|
# $XDG_DATA_DIRS/openal/hrtf (defaults to /usr/local/share/openal/hrtf and
|
||||||
|
# /usr/share/openal/hrtf)
|
||||||
|
#hrtf-paths =
|
||||||
|
|
||||||
|
## cf_level:
|
||||||
|
# Sets the crossfeed level for stereo output. Valid values are:
|
||||||
|
# 0 - No crossfeed
|
||||||
|
# 1 - Low crossfeed
|
||||||
|
# 2 - Middle crossfeed
|
||||||
|
# 3 - High crossfeed (virtual speakers are closer to itself)
|
||||||
|
# 4 - Low easy crossfeed
|
||||||
|
# 5 - Middle easy crossfeed
|
||||||
|
# 6 - High easy crossfeed
|
||||||
|
# Users of headphones may want to try various settings. Has no effect on non-
|
||||||
|
# stereo modes.
|
||||||
|
#cf_level = 0
|
||||||
|
|
||||||
|
## resampler: (global)
|
||||||
|
# Selects the resampler used when mixing sources. Valid values are:
|
||||||
|
# point - nearest sample, no interpolation
|
||||||
|
# linear - extrapolates samples using a linear slope between samples
|
||||||
|
# sinc4 - extrapolates samples using a 4-point Sinc filter
|
||||||
|
# bsinc - extrapolates samples using a band-limited Sinc filter (varying
|
||||||
|
# between 12 and 24 points, with anti-aliasing)
|
||||||
|
# Specifying other values will result in using the default (linear).
|
||||||
|
#resampler = linear
|
||||||
|
|
||||||
|
## rt-prio: (global)
|
||||||
|
# Sets real-time priority for the mixing thread. Not all drivers may use this
|
||||||
|
# (eg. PortAudio) as they already control the priority of the mixing thread.
|
||||||
|
# 0 and negative values will disable it. Note that this may constitute a
|
||||||
|
# security risk since a real-time priority thread can indefinitely block
|
||||||
|
# normal-priority threads if it fails to wait. As such, the default is
|
||||||
|
# disabled.
|
||||||
|
#rt-prio = 0
|
||||||
|
|
||||||
|
## sources:
|
||||||
|
# Sets the maximum number of allocatable sources. Lower values may help for
|
||||||
|
# systems with apps that try to play more sounds than the CPU can handle.
|
||||||
|
#sources = 256
|
||||||
|
|
||||||
|
## slots:
|
||||||
|
# Sets the maximum number of Auxiliary Effect Slots an app can create. A slot
|
||||||
|
# can use a non-negligible amount of CPU time if an effect is set on it even
|
||||||
|
# if no sources are feeding it, so this may help when apps use more than the
|
||||||
|
# system can handle.
|
||||||
|
#slots = 64
|
||||||
|
|
||||||
|
## sends:
|
||||||
|
# Limits the number of auxiliary sends allowed per source. Setting this higher
|
||||||
|
# than the default has no effect.
|
||||||
|
#sends = 16
|
||||||
|
|
||||||
|
## output-limiter:
|
||||||
|
# Applies a gain limiter on the final mixed output. This reduces the volume
|
||||||
|
# when the output samples would otherwise clamp, avoiding excessive clipping
|
||||||
|
# noise.
|
||||||
|
#output-limiter = true
|
||||||
|
|
||||||
|
## dither:
|
||||||
|
# Applies dithering on the final mix, for 8- and 16-bit output by default.
|
||||||
|
# This replaces the distortion created by nearest-value quantization with low-
|
||||||
|
# level whitenoise.
|
||||||
|
#dither = true
|
||||||
|
|
||||||
|
## dither-depth:
|
||||||
|
# Quantization bit-depth for dithered output. A value of 0 (or less) will
|
||||||
|
# match the output sample depth. For int32, uint32, and float32 output, 0 will
|
||||||
|
# disable dithering because they're at or beyond the rendered precision. The
|
||||||
|
# maximum dither depth is 24.
|
||||||
|
#dither-depth = 0
|
||||||
|
|
||||||
|
## volume-adjust:
|
||||||
|
# A global volume adjustment for source output, expressed in decibels. The
|
||||||
|
# value is logarithmic, so +6 will be a scale of (approximately) 2x, +12 will
|
||||||
|
# be a scale of 4x, etc. Similarly, -6 will be x1/2, and -12 is about x1/4. A
|
||||||
|
# value of 0 means no change.
|
||||||
|
#volume-adjust = 0
|
||||||
|
|
||||||
|
## excludefx: (global)
|
||||||
|
# Sets which effects to exclude, preventing apps from using them. This can
|
||||||
|
# help for apps that try to use effects which are too CPU intensive for the
|
||||||
|
# system to handle. Available effects are: eaxreverb,reverb,chorus,compressor,
|
||||||
|
# distortion,echo,equalizer,flanger,modulator,dedicated
|
||||||
|
#excludefx =
|
||||||
|
|
||||||
|
## default-reverb: (global)
|
||||||
|
# A reverb preset that applies by default to all sources on send 0
|
||||||
|
# (applications that set their own slots on send 0 will override this).
|
||||||
|
# Available presets are: None, Generic, PaddedCell, Room, Bathroom,
|
||||||
|
# Livingroom, Stoneroom, Auditorium, ConcertHall, Cave, Arena, Hangar,
|
||||||
|
# CarpetedHallway, Hallway, StoneCorridor, Alley, Forest, City, Moutains,
|
||||||
|
# Quarry, Plain, ParkingLot, SewerPipe, Underwater, Drugged, Dizzy, Psychotic.
|
||||||
|
#default-reverb =
|
||||||
|
|
||||||
|
## trap-alc-error: (global)
|
||||||
|
# Generates a SIGTRAP signal when an ALC device error is generated, on systems
|
||||||
|
# that support it. This helps when debugging, while trying to find the cause
|
||||||
|
# of a device error. On Windows, a breakpoint exception is generated.
|
||||||
|
#trap-alc-error = false
|
||||||
|
|
||||||
|
## trap-al-error: (global)
|
||||||
|
# Generates a SIGTRAP signal when an AL context error is generated, on systems
|
||||||
|
# that support it. This helps when debugging, while trying to find the cause
|
||||||
|
# of a context error. On Windows, a breakpoint exception is generated.
|
||||||
|
#trap-al-error = false
|
||||||
|
|
||||||
|
##
|
||||||
|
## Ambisonic decoder stuff
|
||||||
|
##
|
||||||
|
[decoder]
|
||||||
|
|
||||||
|
## hq-mode:
|
||||||
|
# Enables a high-quality ambisonic decoder. This mode is capable of frequency-
|
||||||
|
# dependent processing, creating a better reproduction of 3D sound rendering
|
||||||
|
# over surround sound speakers. Enabling this also requires specifying decoder
|
||||||
|
# configuration files for the appropriate speaker configuration you intend to
|
||||||
|
# use (see the quad, surround51, etc options below). Currently, up to third-
|
||||||
|
# order decoding is supported.
|
||||||
|
hq-mode = false
|
||||||
|
|
||||||
|
## distance-comp:
|
||||||
|
# Enables compensation for the speakers' relative distances to the listener.
|
||||||
|
# This applies the necessary delays and attenuation to make the speakers
|
||||||
|
# behave as though they are all equidistant, which is important for proper
|
||||||
|
# playback of 3D sound rendering. Requires the proper distances to be
|
||||||
|
# specified in the decoder configuration file.
|
||||||
|
distance-comp = true
|
||||||
|
|
||||||
|
## nfc:
|
||||||
|
# Enables near-field control filters. This simulates and compensates for low-
|
||||||
|
# frequency effects caused by the curvature of nearby sound-waves, which
|
||||||
|
# creates a more realistic perception of sound distance. Note that the effect
|
||||||
|
# may be stronger or weaker than intended if the application doesn't use or
|
||||||
|
# specify an appropriate unit scale, or if incorrect speaker distances are set
|
||||||
|
# in the decoder configuration file. Requires hq-mode to be enabled.
|
||||||
|
nfc = true
|
||||||
|
|
||||||
|
## nfc-ref-delay
|
||||||
|
# Specifies the reference delay value for ambisonic output. When channels is
|
||||||
|
# set to one of the ambi* formats, this option enables NFC-HOA output with the
|
||||||
|
# specified Reference Delay parameter. The specified value can then be shared
|
||||||
|
# with an appropriate NFC-HOA decoder to reproduce correct near-field effects.
|
||||||
|
# Keep in mind that despite being designed for higher-order ambisonics, this
|
||||||
|
# applies to first-order output all the same. When left unset, normal output
|
||||||
|
# is created with no near-field simulation.
|
||||||
|
nfc-ref-delay =
|
||||||
|
|
||||||
|
## quad:
|
||||||
|
# Decoder configuration file for Quadrophonic channel output. See
|
||||||
|
# docs/ambdec.txt for a description of the file format.
|
||||||
|
quad =
|
||||||
|
|
||||||
|
## surround51:
|
||||||
|
# Decoder configuration file for 5.1 Surround (Side and Rear) channel output.
|
||||||
|
# See docs/ambdec.txt for a description of the file format.
|
||||||
|
surround51 =
|
||||||
|
|
||||||
|
## surround61:
|
||||||
|
# Decoder configuration file for 6.1 Surround channel output. See
|
||||||
|
# docs/ambdec.txt for a description of the file format.
|
||||||
|
surround61 =
|
||||||
|
|
||||||
|
## surround71:
|
||||||
|
# Decoder configuration file for 7.1 Surround channel output. See
|
||||||
|
# docs/ambdec.txt for a description of the file format. Note: This can be used
|
||||||
|
# to enable 3D7.1 with the appropriate configuration and speaker placement,
|
||||||
|
# see docs/3D7.1.txt.
|
||||||
|
surround71 =
|
||||||
|
|
||||||
|
##
|
||||||
|
## Reverb effect stuff (includes EAX reverb)
|
||||||
|
##
|
||||||
|
[reverb]
|
||||||
|
|
||||||
|
## boost: (global)
|
||||||
|
# A global amplification for reverb output, expressed in decibels. The value
|
||||||
|
# is logarithmic, so +6 will be a scale of (approximately) 2x, +12 will be a
|
||||||
|
# scale of 4x, etc. Similarly, -6 will be about half, and -12 about 1/4th. A
|
||||||
|
# value of 0 means no change.
|
||||||
|
#boost = 0
|
||||||
|
|
||||||
|
## emulate-eax: (global)
|
||||||
|
# Allows the standard reverb effect to be used in place of EAX reverb. EAX
|
||||||
|
# reverb processing is a bit more CPU intensive than standard, so this option
|
||||||
|
# allows a simpler effect to be used at the loss of some quality.
|
||||||
|
#emulate-eax = false
|
||||||
|
|
||||||
|
##
|
||||||
|
## PulseAudio backend stuff
|
||||||
|
##
|
||||||
|
[pulse]
|
||||||
|
|
||||||
|
## spawn-server: (global)
|
||||||
|
# Attempts to autospawn a PulseAudio server whenever needed (initializing the
|
||||||
|
# backend, enumerating devices, etc). Setting autospawn to false in Pulse's
|
||||||
|
# client.conf will still prevent autospawning even if this is set to true.
|
||||||
|
#spawn-server = true
|
||||||
|
|
||||||
|
## allow-moves: (global)
|
||||||
|
# Allows PulseAudio to move active streams to different devices. Note that the
|
||||||
|
# device specifier (seen by applications) will not be updated when this
|
||||||
|
# occurs, and neither will the AL device configuration (sample rate, format,
|
||||||
|
# etc).
|
||||||
|
#allow-moves = false
|
||||||
|
|
||||||
|
## fix-rate:
|
||||||
|
# Specifies whether to match the playback stream's sample rate to the device's
|
||||||
|
# sample rate. Enabling this forces OpenAL Soft to mix sources and effects
|
||||||
|
# directly to the actual output rate, avoiding a second resample pass by the
|
||||||
|
# PulseAudio server.
|
||||||
|
#fix-rate = false
|
||||||
|
|
||||||
|
##
|
||||||
|
## ALSA backend stuff
|
||||||
|
##
|
||||||
|
[alsa]
|
||||||
|
|
||||||
|
## device: (global)
|
||||||
|
# Sets the device name for the default playback device.
|
||||||
|
#device = default
|
||||||
|
|
||||||
|
## device-prefix: (global)
|
||||||
|
# Sets the prefix used by the discovered (non-default) playback devices. This
|
||||||
|
# will be appended with "CARD=c,DEV=d", where c is the card id and d is the
|
||||||
|
# device index for the requested device name.
|
||||||
|
#device-prefix = plughw:
|
||||||
|
|
||||||
|
## device-prefix-*: (global)
|
||||||
|
# Card- and device-specific prefixes may be used to override the device-prefix
|
||||||
|
# option. The option may specify the card id (eg, device-prefix-NVidia), or
|
||||||
|
# the card id and device index (eg, device-prefix-NVidia-0). The card id is
|
||||||
|
# case-sensitive.
|
||||||
|
#device-prefix- =
|
||||||
|
|
||||||
|
## capture: (global)
|
||||||
|
# Sets the device name for the default capture device.
|
||||||
|
#capture = default
|
||||||
|
|
||||||
|
## capture-prefix: (global)
|
||||||
|
# Sets the prefix used by the discovered (non-default) capture devices. This
|
||||||
|
# will be appended with "CARD=c,DEV=d", where c is the card id and d is the
|
||||||
|
# device number for the requested device name.
|
||||||
|
#capture-prefix = plughw:
|
||||||
|
|
||||||
|
## capture-prefix-*: (global)
|
||||||
|
# Card- and device-specific prefixes may be used to override the
|
||||||
|
# capture-prefix option. The option may specify the card id (eg,
|
||||||
|
# capture-prefix-NVidia), or the card id and device index (eg,
|
||||||
|
# capture-prefix-NVidia-0). The card id is case-sensitive.
|
||||||
|
#capture-prefix- =
|
||||||
|
|
||||||
|
## mmap:
|
||||||
|
# Sets whether to try using mmap mode (helps reduce latencies and CPU
|
||||||
|
# consumption). If mmap isn't available, it will automatically fall back to
|
||||||
|
# non-mmap mode. True, yes, on, and non-0 values will attempt to use mmap. 0
|
||||||
|
# and anything else will force mmap off.
|
||||||
|
#mmap = true
|
||||||
|
|
||||||
|
## allow-resampler:
|
||||||
|
# Specifies whether to allow ALSA's built-in resampler. Enabling this will
|
||||||
|
# allow the playback device to be set to a different sample rate than the
|
||||||
|
# actual output, causing ALSA to apply its own resampling pass after OpenAL
|
||||||
|
# Soft resamples and mixes the sources and effects for output.
|
||||||
|
#allow-resampler = false
|
||||||
|
|
||||||
|
##
|
||||||
|
## OSS backend stuff
|
||||||
|
##
|
||||||
|
[oss]
|
||||||
|
|
||||||
|
## device: (global)
|
||||||
|
# Sets the device name for OSS output.
|
||||||
|
#device = /dev/dsp
|
||||||
|
|
||||||
|
## capture: (global)
|
||||||
|
# Sets the device name for OSS capture.
|
||||||
|
#capture = /dev/dsp
|
||||||
|
|
||||||
|
##
|
||||||
|
## Solaris backend stuff
|
||||||
|
##
|
||||||
|
[solaris]
|
||||||
|
|
||||||
|
## device: (global)
|
||||||
|
# Sets the device name for Solaris output.
|
||||||
|
#device = /dev/audio
|
||||||
|
|
||||||
|
##
|
||||||
|
## QSA backend stuff
|
||||||
|
##
|
||||||
|
[qsa]
|
||||||
|
|
||||||
|
##
|
||||||
|
## JACK backend stuff
|
||||||
|
##
|
||||||
|
[jack]
|
||||||
|
|
||||||
|
## spawn-server: (global)
|
||||||
|
# Attempts to autospawn a JACK server whenever needed (initializing the
|
||||||
|
# backend, opening devices, etc).
|
||||||
|
#spawn-server = false
|
||||||
|
|
||||||
|
## buffer-size:
|
||||||
|
# Sets the update buffer size, in samples, that the backend will keep buffered
|
||||||
|
# to handle the server's real-time processing requests. This value must be a
|
||||||
|
# power of 2, or else it will be rounded up to the next power of 2. If it is
|
||||||
|
# less than JACK's buffer update size, it will be clamped. This option may
|
||||||
|
# be useful in case the server's update size is too small and doesn't give the
|
||||||
|
# mixer time to keep enough audio available for the processing requests.
|
||||||
|
#buffer-size = 0
|
||||||
|
|
||||||
|
##
|
||||||
|
## MMDevApi backend stuff
|
||||||
|
##
|
||||||
|
[mmdevapi]
|
||||||
|
|
||||||
|
##
|
||||||
|
## DirectSound backend stuff
|
||||||
|
##
|
||||||
|
[dsound]
|
||||||
|
|
||||||
|
##
|
||||||
|
## Windows Multimedia backend stuff
|
||||||
|
##
|
||||||
|
[winmm]
|
||||||
|
|
||||||
|
##
|
||||||
|
## PortAudio backend stuff
|
||||||
|
##
|
||||||
|
[port]
|
||||||
|
|
||||||
|
## device: (global)
|
||||||
|
# Sets the device index for output. Negative values will use the default as
|
||||||
|
# given by PortAudio itself.
|
||||||
|
#device = -1
|
||||||
|
|
||||||
|
## capture: (global)
|
||||||
|
# Sets the device index for capture. Negative values will use the default as
|
||||||
|
# given by PortAudio itself.
|
||||||
|
#capture = -1
|
||||||
|
|
||||||
|
##
|
||||||
|
## Wave File Writer stuff
|
||||||
|
##
|
||||||
|
[wave]
|
||||||
|
|
||||||
|
## file: (global)
|
||||||
|
# Sets the filename of the wave file to write to. An empty name prevents the
|
||||||
|
# backend from opening, even when explicitly requested.
|
||||||
|
# THIS WILL OVERWRITE EXISTING FILES WITHOUT QUESTION!
|
||||||
|
#file =
|
||||||
|
|
||||||
|
## bformat: (global)
|
||||||
|
# Creates AMB format files using first-order ambisonics instead of a standard
|
||||||
|
# single- or multi-channel .wav file.
|
||||||
|
#bformat = false
|
||||||
@ -0,0 +1 @@
|
|||||||
|
../init.d/mpd
|
||||||
@ -0,0 +1 @@
|
|||||||
|
../init.d/mpd
|
||||||
@ -0,0 +1 @@
|
|||||||
|
../init.d/mpd
|
||||||
@ -0,0 +1 @@
|
|||||||
|
../init.d/mpd
|
||||||
@ -0,0 +1 @@
|
|||||||
|
../init.d/mpd
|
||||||
@ -0,0 +1 @@
|
|||||||
|
../init.d/mpd
|
||||||
@ -0,0 +1 @@
|
|||||||
|
../init.d/mpd
|
||||||
@ -0,0 +1 @@
|
|||||||
|
/lib/systemd/system/mpd.service
|
||||||
@ -0,0 +1 @@
|
|||||||
|
/lib/systemd/system/mpd.socket
|
||||||
@ -0,0 +1,139 @@
|
|||||||
|
dir /usr/share/midi/freepats
|
||||||
|
|
||||||
|
# Automatically generated on Sun Feb 19 19:22:39 EST 2006
|
||||||
|
# by http://freepats.opensrc.org/mkcfg.sh.txt
|
||||||
|
|
||||||
|
drumset 0
|
||||||
|
|
||||||
|
25 Drum_000/025_Snare_Roll.pat
|
||||||
|
26 Drum_000/026_Snap.pat
|
||||||
|
27 Drum_000/027_High_Q.pat
|
||||||
|
31 Drum_000/031_Sticks.pat
|
||||||
|
32 Drum_000/032_Square_Click.pat
|
||||||
|
33 Drum_000/033_Metronome_Click.pat
|
||||||
|
34 Drum_000/034_Metronome_Bell.pat
|
||||||
|
35 Drum_000/035_Kick_1.pat amp=100
|
||||||
|
36 Drum_000/036_Kick_2.pat amp=100
|
||||||
|
37 Drum_000/037_Stick_Rim.pat
|
||||||
|
38 Drum_000/038_Snare_1.pat
|
||||||
|
39 Drum_000/039_Clap_Hand.pat amp=100
|
||||||
|
40 Drum_000/040_Snare_2.pat
|
||||||
|
41 Drum_000/041_Tom_Low_2.pat amp=100
|
||||||
|
42 Drum_000/042_Hi-Hat_Closed.pat
|
||||||
|
43 Drum_000/043_Tom_Low_1.pat amp=100
|
||||||
|
44 Drum_000/044_Hi-Hat_Pedal.pat
|
||||||
|
45 Drum_000/045_Tom_Mid_2.pat amp=100
|
||||||
|
46 Drum_000/046_Hi-Hat_Open.pat
|
||||||
|
47 Drum_000/047_Tom_Mid_1.pat amp=100
|
||||||
|
48 Drum_000/048_Tom_High_2.pat amp=100
|
||||||
|
49 Drum_000/049_Cymbal_Crash_1.pat
|
||||||
|
50 Drum_000/050_Tom_High_1.pat amp=100
|
||||||
|
51 Drum_000/051_Cymbal_Ride_1.pat
|
||||||
|
52 Drum_000/052_Cymbal_Chinese.pat
|
||||||
|
53 Drum_000/053_Cymbal_Ride_Bell.pat amp=100
|
||||||
|
54 Drum_000/054_Tombourine.pat
|
||||||
|
55 Drum_000/055_Cymbal_Splash.pat
|
||||||
|
56 Drum_000/056_Cow_Bell.pat
|
||||||
|
57 Drum_000/057_Cymbal_Crash_2.pat
|
||||||
|
58 Drum_000/058_Vibra-Slap.pat
|
||||||
|
59 Drum_000/059_Cymbal_Ride_2.pat
|
||||||
|
60 Drum_000/060_Bongo_High.pat
|
||||||
|
61 Drum_000/061_Bongo_Low.pat
|
||||||
|
62 Drum_000/062_Conga_High_1_Mute.pat
|
||||||
|
63 Drum_000/063_Conga_High_2_Open.pat
|
||||||
|
64 Drum_000/064_Conga_Low.pat
|
||||||
|
65 Drum_000/065_Timbale_High.pat
|
||||||
|
66 Drum_000/066_Timbale_Low.pat
|
||||||
|
67 Drum_000/067_Agogo_High.pat
|
||||||
|
68 Drum_000/068_Agogo_Low.pat
|
||||||
|
69 Drum_000/069_Cabasa.pat amp=100
|
||||||
|
70 Drum_000/070_Maracas.pat
|
||||||
|
71 Drum_000/071_Whistle_1_High_Short.pat
|
||||||
|
72 Drum_000/072_Whistle_2_Low_Long.pat
|
||||||
|
73 Drum_000/073_Guiro_1_Short.pat
|
||||||
|
74 Drum_000/074_Guiro_2_Long.pat
|
||||||
|
75 Drum_000/075_Claves.pat amp=100
|
||||||
|
76 Drum_000/076_Wood_Block_1_High.pat
|
||||||
|
77 Drum_000/077_Wood_Block_2_Low.pat
|
||||||
|
78 Drum_000/078_Cuica_1_Mute.pat amp=100
|
||||||
|
79 Drum_000/079_Cuica_2_Open.pat amp=100
|
||||||
|
80 Drum_000/080_Triangle_1_Mute.pat
|
||||||
|
81 Drum_000/081_Triangle_2_Open.pat
|
||||||
|
82 Drum_000/082_Shaker.pat
|
||||||
|
84 Drum_000/084_Belltree.pat
|
||||||
|
|
||||||
|
bank 0
|
||||||
|
|
||||||
|
0 Tone_000/000_Acoustic_Grand_Piano.pat amp=120 pan=center
|
||||||
|
1 Tone_000/001_Acoustic_Brite_Piano.pat
|
||||||
|
2 Tone_000/002_Electric_Grand_Piano.pat
|
||||||
|
4 Tone_000/004_Electric_Piano_1_Rhodes.pat
|
||||||
|
5 Tone_000/005_Electric_Piano_2_Chorused_Yamaha_DX.pat
|
||||||
|
6 Tone_000/006_Harpsichord.pat
|
||||||
|
7 Tone_000/007_Clavinet.pat
|
||||||
|
8 Tone_000/008_Celesta.pat
|
||||||
|
9 Tone_000/009_Glockenspiel.pat
|
||||||
|
13 Tone_000/013_Xylophone.pat
|
||||||
|
14 Tone_000/014_Tubular_Bells.pat
|
||||||
|
15 Tone_000/015_Dulcimer.pat
|
||||||
|
16 Tone_000/016_Hammond_Organ.pat
|
||||||
|
19 Tone_000/019_Church_Organ.pat
|
||||||
|
21 Tone_000/021_Accordion.pat
|
||||||
|
23 Tone_000/023_Tango_Accordion.pat
|
||||||
|
24 Tone_000/024_Nylon_Guitar.pat
|
||||||
|
25 Tone_000/025_Steel_Guitar.pat
|
||||||
|
26 Tone_000/026_Jazz_Guitar.pat
|
||||||
|
27 Tone_000/027_Clean_Electric_Guitar.pat
|
||||||
|
28 Tone_000/028_Muted_Electric_Guitar.pat
|
||||||
|
29 Tone_000/029_Overdriven_Guitar.pat
|
||||||
|
30 Tone_000/030_Distortion_Guitar.pat
|
||||||
|
32 Tone_000/032_Acoustic_Bass.pat
|
||||||
|
33 Tone_000/033_Finger_Bass.pat
|
||||||
|
34 Tone_000/034_Pick_Bass.pat
|
||||||
|
35 Tone_000/035_Fretless_Bass.pat
|
||||||
|
36 Tone_000/036_Slap_Bass_1.pat
|
||||||
|
37 Tone_000/037_Slap_Bass_2.pat
|
||||||
|
38 Tone_000/038_Synth_Bass_1.pat
|
||||||
|
40 Tone_000/040_Violin.pat
|
||||||
|
42 Tone_000/042_Cello.pat
|
||||||
|
44 Tone_000/044_Tremolo_Strings.pat
|
||||||
|
45 Tone_000/045_Pizzicato_Strings.pat
|
||||||
|
46 Tone_000/046_Harp.pat
|
||||||
|
47 Tone_000/047_Timpani.pat
|
||||||
|
48 Tone_000/048_String_Ensemble_1_Marcato.pat
|
||||||
|
53 Tone_000/053_Voice_Oohs.pat
|
||||||
|
56 Tone_000/056_Trumpet.pat
|
||||||
|
57 Tone_000/057_Trombone.pat
|
||||||
|
58 Tone_000/058_Tuba.pat
|
||||||
|
59 Tone_000/059_Muted_Trumpet.pat
|
||||||
|
60 Tone_000/060_French_Horn.pat
|
||||||
|
61 Tone_000/061_Brass_Section.pat
|
||||||
|
64 Tone_000/064_Soprano_Sax.pat
|
||||||
|
65 Tone_000/065_Alto_Sax.pat
|
||||||
|
66 Tone_000/066_Tenor_Sax.pat
|
||||||
|
67 Tone_000/067_Baritone_Sax.pat
|
||||||
|
68 Tone_000/068_Oboe.pat
|
||||||
|
69 Tone_000/069_English_Horn.pat
|
||||||
|
70 Tone_000/070_Bassoon.pat
|
||||||
|
71 Tone_000/071_Clarinet.pat
|
||||||
|
72 Tone_000/072_Piccolo.pat
|
||||||
|
73 Tone_000/073_Flute.pat
|
||||||
|
74 Tone_000/074_Recorder.pat
|
||||||
|
75 Tone_000/075_Pan_Flute.pat
|
||||||
|
76 Tone_000/076_Bottle_Blow.pat
|
||||||
|
79 Tone_000/079_Ocarina.pat
|
||||||
|
80 Tone_000/080_Square_Wave.pat
|
||||||
|
84 Tone_000/084_Charang.pat
|
||||||
|
88 Tone_000/088_New_Age.pat
|
||||||
|
94 Tone_000/094_Halo_Pad.pat
|
||||||
|
95 Tone_000/095_Sweep_Pad.pat
|
||||||
|
98 Tone_000/098_Crystal.pat
|
||||||
|
101 Tone_000/101_Goblins--Unicorn.pat
|
||||||
|
102 Tone_000/102_Echo_Voice.pat
|
||||||
|
104 Tone_000/104_Sitar.pat
|
||||||
|
114 Tone_000/114_Steel_Drums.pat
|
||||||
|
115 Tone_000/115_Wood_Block.pat
|
||||||
|
120 Tone_000/120_Guitar_Fret_Noise.pat
|
||||||
|
122 Tone_000/122_Seashore.pat
|
||||||
|
125 Tone_000/125_Helicopter.pat
|
||||||
|
|
||||||
@ -0,0 +1,139 @@
|
|||||||
|
dir /usr/share/midi/freepats
|
||||||
|
|
||||||
|
# Automatically generated on Sun Feb 19 19:22:39 EST 2006
|
||||||
|
# by http://freepats.opensrc.org/mkcfg.sh.txt
|
||||||
|
|
||||||
|
drumset 0
|
||||||
|
|
||||||
|
25 Drum_000/025_Snare_Roll.pat
|
||||||
|
26 Drum_000/026_Snap.pat
|
||||||
|
27 Drum_000/027_High_Q.pat
|
||||||
|
31 Drum_000/031_Sticks.pat
|
||||||
|
32 Drum_000/032_Square_Click.pat
|
||||||
|
33 Drum_000/033_Metronome_Click.pat
|
||||||
|
34 Drum_000/034_Metronome_Bell.pat
|
||||||
|
35 Drum_000/035_Kick_1.pat amp=100
|
||||||
|
36 Drum_000/036_Kick_2.pat amp=100
|
||||||
|
37 Drum_000/037_Stick_Rim.pat
|
||||||
|
38 Drum_000/038_Snare_1.pat
|
||||||
|
39 Drum_000/039_Clap_Hand.pat amp=100
|
||||||
|
40 Drum_000/040_Snare_2.pat
|
||||||
|
41 Drum_000/041_Tom_Low_2.pat amp=100
|
||||||
|
42 Drum_000/042_Hi-Hat_Closed.pat
|
||||||
|
43 Drum_000/043_Tom_Low_1.pat amp=100
|
||||||
|
44 Drum_000/044_Hi-Hat_Pedal.pat
|
||||||
|
45 Drum_000/045_Tom_Mid_2.pat amp=100
|
||||||
|
46 Drum_000/046_Hi-Hat_Open.pat
|
||||||
|
47 Drum_000/047_Tom_Mid_1.pat amp=100
|
||||||
|
48 Drum_000/048_Tom_High_2.pat amp=100
|
||||||
|
49 Drum_000/049_Cymbal_Crash_1.pat
|
||||||
|
50 Drum_000/050_Tom_High_1.pat amp=100
|
||||||
|
51 Drum_000/051_Cymbal_Ride_1.pat
|
||||||
|
52 Drum_000/052_Cymbal_Chinese.pat
|
||||||
|
53 Drum_000/053_Cymbal_Ride_Bell.pat amp=100
|
||||||
|
54 Drum_000/054_Tombourine.pat
|
||||||
|
55 Drum_000/055_Cymbal_Splash.pat
|
||||||
|
56 Drum_000/056_Cow_Bell.pat
|
||||||
|
57 Drum_000/057_Cymbal_Crash_2.pat
|
||||||
|
58 Drum_000/058_Vibra-Slap.pat
|
||||||
|
59 Drum_000/059_Cymbal_Ride_2.pat
|
||||||
|
60 Drum_000/060_Bongo_High.pat
|
||||||
|
61 Drum_000/061_Bongo_Low.pat
|
||||||
|
62 Drum_000/062_Conga_High_1_Mute.pat
|
||||||
|
63 Drum_000/063_Conga_High_2_Open.pat
|
||||||
|
64 Drum_000/064_Conga_Low.pat
|
||||||
|
65 Drum_000/065_Timbale_High.pat
|
||||||
|
66 Drum_000/066_Timbale_Low.pat
|
||||||
|
67 Drum_000/067_Agogo_High.pat
|
||||||
|
68 Drum_000/068_Agogo_Low.pat
|
||||||
|
69 Drum_000/069_Cabasa.pat amp=100
|
||||||
|
70 Drum_000/070_Maracas.pat
|
||||||
|
71 Drum_000/071_Whistle_1_High_Short.pat
|
||||||
|
72 Drum_000/072_Whistle_2_Low_Long.pat
|
||||||
|
73 Drum_000/073_Guiro_1_Short.pat
|
||||||
|
74 Drum_000/074_Guiro_2_Long.pat
|
||||||
|
75 Drum_000/075_Claves.pat amp=100
|
||||||
|
76 Drum_000/076_Wood_Block_1_High.pat
|
||||||
|
77 Drum_000/077_Wood_Block_2_Low.pat
|
||||||
|
78 Drum_000/078_Cuica_1_Mute.pat amp=100
|
||||||
|
79 Drum_000/079_Cuica_2_Open.pat amp=100
|
||||||
|
80 Drum_000/080_Triangle_1_Mute.pat
|
||||||
|
81 Drum_000/081_Triangle_2_Open.pat
|
||||||
|
82 Drum_000/082_Shaker.pat
|
||||||
|
84 Drum_000/084_Belltree.pat
|
||||||
|
|
||||||
|
bank 0
|
||||||
|
|
||||||
|
0 Tone_000/000_Acoustic_Grand_Piano.pat amp=120 pan=center
|
||||||
|
1 Tone_000/001_Acoustic_Brite_Piano.pat
|
||||||
|
2 Tone_000/002_Electric_Grand_Piano.pat
|
||||||
|
4 Tone_000/004_Electric_Piano_1_Rhodes.pat
|
||||||
|
5 Tone_000/005_Electric_Piano_2_Chorused_Yamaha_DX.pat
|
||||||
|
6 Tone_000/006_Harpsichord.pat
|
||||||
|
7 Tone_000/007_Clavinet.pat
|
||||||
|
8 Tone_000/008_Celesta.pat
|
||||||
|
9 Tone_000/009_Glockenspiel.pat
|
||||||
|
13 Tone_000/013_Xylophone.pat
|
||||||
|
14 Tone_000/014_Tubular_Bells.pat
|
||||||
|
15 Tone_000/015_Dulcimer.pat
|
||||||
|
16 Tone_000/016_Hammond_Organ.pat
|
||||||
|
19 Tone_000/019_Church_Organ.pat
|
||||||
|
21 Tone_000/021_Accordion.pat
|
||||||
|
23 Tone_000/023_Tango_Accordion.pat
|
||||||
|
24 Tone_000/024_Nylon_Guitar.pat
|
||||||
|
25 Tone_000/025_Steel_Guitar.pat
|
||||||
|
26 Tone_000/026_Jazz_Guitar.pat
|
||||||
|
27 Tone_000/027_Clean_Electric_Guitar.pat
|
||||||
|
28 Tone_000/028_Muted_Electric_Guitar.pat
|
||||||
|
29 Tone_000/029_Overdriven_Guitar.pat
|
||||||
|
30 Tone_000/030_Distortion_Guitar.pat
|
||||||
|
32 Tone_000/032_Acoustic_Bass.pat
|
||||||
|
33 Tone_000/033_Finger_Bass.pat
|
||||||
|
34 Tone_000/034_Pick_Bass.pat
|
||||||
|
35 Tone_000/035_Fretless_Bass.pat
|
||||||
|
36 Tone_000/036_Slap_Bass_1.pat
|
||||||
|
37 Tone_000/037_Slap_Bass_2.pat
|
||||||
|
38 Tone_000/038_Synth_Bass_1.pat
|
||||||
|
40 Tone_000/040_Violin.pat
|
||||||
|
42 Tone_000/042_Cello.pat
|
||||||
|
44 Tone_000/044_Tremolo_Strings.pat
|
||||||
|
45 Tone_000/045_Pizzicato_Strings.pat
|
||||||
|
46 Tone_000/046_Harp.pat
|
||||||
|
47 Tone_000/047_Timpani.pat
|
||||||
|
48 Tone_000/048_String_Ensemble_1_Marcato.pat
|
||||||
|
53 Tone_000/053_Voice_Oohs.pat
|
||||||
|
56 Tone_000/056_Trumpet.pat
|
||||||
|
57 Tone_000/057_Trombone.pat
|
||||||
|
58 Tone_000/058_Tuba.pat
|
||||||
|
59 Tone_000/059_Muted_Trumpet.pat
|
||||||
|
60 Tone_000/060_French_Horn.pat
|
||||||
|
61 Tone_000/061_Brass_Section.pat
|
||||||
|
64 Tone_000/064_Soprano_Sax.pat
|
||||||
|
65 Tone_000/065_Alto_Sax.pat
|
||||||
|
66 Tone_000/066_Tenor_Sax.pat
|
||||||
|
67 Tone_000/067_Baritone_Sax.pat
|
||||||
|
68 Tone_000/068_Oboe.pat
|
||||||
|
69 Tone_000/069_English_Horn.pat
|
||||||
|
70 Tone_000/070_Bassoon.pat
|
||||||
|
71 Tone_000/071_Clarinet.pat
|
||||||
|
72 Tone_000/072_Piccolo.pat
|
||||||
|
73 Tone_000/073_Flute.pat
|
||||||
|
74 Tone_000/074_Recorder.pat
|
||||||
|
75 Tone_000/075_Pan_Flute.pat
|
||||||
|
76 Tone_000/076_Bottle_Blow.pat
|
||||||
|
79 Tone_000/079_Ocarina.pat
|
||||||
|
80 Tone_000/080_Square_Wave.pat
|
||||||
|
84 Tone_000/084_Charang.pat
|
||||||
|
88 Tone_000/088_New_Age.pat
|
||||||
|
94 Tone_000/094_Halo_Pad.pat
|
||||||
|
95 Tone_000/095_Sweep_Pad.pat
|
||||||
|
98 Tone_000/098_Crystal.pat
|
||||||
|
101 Tone_000/101_Goblins--Unicorn.pat
|
||||||
|
102 Tone_000/102_Echo_Voice.pat
|
||||||
|
104 Tone_000/104_Sitar.pat
|
||||||
|
114 Tone_000/114_Steel_Drums.pat
|
||||||
|
115 Tone_000/115_Wood_Block.pat
|
||||||
|
120 Tone_000/120_Guitar_Fret_Noise.pat
|
||||||
|
122 Tone_000/122_Seashore.pat
|
||||||
|
125 Tone_000/125_Helicopter.pat
|
||||||
|
|
||||||
@ -0,0 +1,12 @@
|
|||||||
|
# This will automatically start MPD as your user when you log into GNOME/KDE,
|
||||||
|
# provided that the system-wide MPD has been disabled.
|
||||||
|
# Make sure to create your own ~/.mpdconf containing the path to your music,
|
||||||
|
# and adjust the other paths such that MPD can write to its log and databases.
|
||||||
|
[Desktop Entry]
|
||||||
|
Type=Application
|
||||||
|
Exec=mpd
|
||||||
|
Terminal=false
|
||||||
|
Hidden=false
|
||||||
|
X-GNOME-Autostart-enabled=true
|
||||||
|
Name=MPD Music Player Daemon
|
||||||
|
Comment=start MPD as user when you log in
|
||||||
Loading…
Reference in New Issue